Experience
"Step into a world where history whispers through design. From ancient artistry to nature’s hues, we draw inspiration from timeless traditions and cultural treasures. Every piece we create carries the essence of heritage, reimagined for modern living. Let the past inspire your present—discover the beauty woven into every detail."
Veerabhadra from Madurai Meenakshi Temple
The Majestic Aghora Veerabhadra is seen with 10 hands, carrying different weapons; most prominent ones are a long ornamental Yali Sword and a Shield with Kali amma engravings. Left leg in the forward position, body slightly bent back towards left, capturing the essence of swift and relentless nature. Veerabhadra is wearing elaborate footgear and a decorative Yali motif on the Shin. Ankles adorn Ghunguru and other ornaments; the skull garland around his waist along with other ornamental belts catches ones attention. The head gear is something very unique, primarily a rare concept seen in stone carving. With big eyeballs, a warrior moustache, protruding teeth are few mentions
The Creation
This is an careful attempt of making Veerabhadra as per the stone statue seen in Meenakshi Amma temple Madurai.
It is one of the rarest of the rare subjects to have been made in bronze ever, using the traditional lost wax process.
Anandalaya- Dance Of Bliss
Ananda Tandava (masculine) dance to express happiness and joy is performed by Lord Shiva, while goddess Parvati is performing Lasya (soft/ feminine) offering a balance of cosmic energies — male/female. They both together symbolize the harmonious union of energies without which the universe would be in a state of flux. The natural. Parvathi's gestures express the intellect, the power of nature and the protection of the believers. Here's presenting the two cosmic dancers in a state of bliss providing the potential of recreation and balance.
The take away from this beautiful artefact in our lives is to be energetic, vigorous, and to be filled with power and brisk in the fast-paced world around us.
Shree Ram with Hanuman
from Srirangam
The sculpture captures the tender moment when Lord Rama, the embodiment of righteousness and duty, envelops Lord Hanuman, the epitome of devotion and loyalty, in a warm and compassionate embrace. This poignant depiction of their sacred bond exudes a profound sense of spiritual connection, as if the very essence of their relationship has been distilled into this sublime work of art.
The Creation
This sumptuous bronze masterpiece Inspired from the revered Shri Vaikuntha Nathar Perumal Temple, is a sublime depiction of Lord Rama and Lord Hanuman, their sacred bond and devotion encapsulated in a tender embrace. Exquisitely crafted with unparalleled skill and attention to detail. This stunning bronze sculpture is a one-of-a-kind masterpiece, never created before in bronze. Crafted using the lost-wax technique, it boasts intricate details, textures, As a premium piece, making it a treasured possession for any collector or connoisseur.
The Sculpture
Gangadharamurti – Shiva, Parvati, Ganga.
Gangadhara-murti is holding with his right hand a lock of hair in order to receive Ganga descending from the clouds and allowing her to flow gently as a river.
Parvati’s face expresses a state of uneasiness perhaps due to a feeling of jealousy since Shiva is holding Ma Ganga, while Shiva is trying to console Amma with a warm smile assuring Parvati is the only one for him.
This is a well-known sculpture one can find in various Chola Temples.
Gangadhara Murti
Shiva stands with his right leg remaining straight while the left leg is slightly bent. The front right hand is placed towards the chin of Parvati in a consoling form. His left front arm embraces Parvati. The back right arm lifted up to his crown is holding a jata and Ganga is placed on this while the back left hand is carrying a deer. Parvati is standing on the left with her right leg bent and the left remaining straight. Her right hand hangs down freely or holds up a few folds of her cloth, whilst the left one carries a flower posture --- As per the Agamic texts like the Amsumadbhedagama, the Uttara-kamaikagama and the Purva-Karanagama which prescribes the iconography of the Lord.
Our sincere attempt is capturing these little stories in our artefacts.
